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JADU TONA 1977-hindi horror-FEROZ KHAN`s COLLECTION

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Dear friends,

Here is 18th upload in the series of FEROZ KHAN`s collection.ENJOY & KINDLY SEED







             JADU TONA (1977) 









            Jadu Tona is a 1977 Bollywood horror film directed by Ravikant Nagaich. The film stars Feroz Khan and Reena
Roy

4.7/10   9 votes



Director:Ravikant Nagaich

Genre:Horror



Cast

 (Credited cast)

	Feroz Khan	... 	Dr. Kailash

	Reena Roy	... 	Varsha

rest of cast listed alphabetically:

	Prem Chopra		

	Ashok Kumar	... 	Inspector Jolly Goodman

	Prem Nath		

	Baby Pinky	... 	Harsha



Also Known As:Black Magic (India: English title)

Parents Guide:Add content advisory for parents

Country:India

Language:Hindi



PLOT:



           Prem Chopra and his daughters drive off from the city to their ancestral village for a visit. The girls have
recently lost their mother and it's a period of healing for the family as they gather at the old family house still
occupied by the grandparents. As they are about to enter the village they are beckoned by a simpleton who tells them to
pay respects to the holy Peepal tree that marks the entrance to the community. Chopra merely scoffs at the backwardness
of the boy as they drive by disdainfully not noticing a menacing looking black cat casting fierce looks in their
direction.





Baby Pinky, the younger of the daughters, waddles off exploring the fields and bursts into song about the virtues of
country living "yeh lovely, lovely Gaon", when quite suddenly she becomes entranced by a distinctly wobbly if
bewitchingly attractive butterfly that leads her to some derelict ruins. Upon entering the ominous ruin, Harsha (Pinky)
is welcomed by a sinister man lurched on a charpoy. In his booming voice he asks her to do him a favour by opening him a
bottle of medicine. As soon as she does, there is a puff of dust and Harsha goes AWOL having an almighty giggling fit
accompanied by severe twitching seizures. The dark character on the charpoy cackles in victory as his spirit, enslaved
for so long in a pathetic bottle of cough syrup is finally unleashed and it swiftly takes possession of poor
unsuspecting Harsha. There is a horrifying scene where Harsha fly's into a rage and starts twitching and shaking and
slamming up and down on the ground while cackling maniacally.



The child soon assumes superhuman strength and takes a visiting Doctor to task, pummelling him to oblivion. The grand
parents claim that the child has been possessed by the vengeful spirit of Pannalal and send for the local tantrik (witch
doctor). When he arrives he is insulted upon by Harsha's new-age elder sister (Reena Roy) who refuses to entertain
notions of evil spirits and demonic possession. The rather impressive looking tantrik (Premnath) is humiliated and sent
packing by Reena despite the protestations of profusely apologetic grand parents.



Reena and her father, upon returning to the city are told to consult the famous and incredibly brilliant and handsome
psychiatrist Dr. Kailash, dashingly played by Feroz Khan. Dr. Kailash is a modern, scientific man who doesn't have the
time for notions of evil spirits and demonic possession mumbo jumbo. Initially his treatment seems to work miracles as
Harsha reverts to normal behaviour and even returns to school. Alas, every once in a while she lapses into her murderous
demonic state which appear to be triggered by the sight of blood, a black cat or the satanic butterfly. Harsha starts
skiving off school and calling up strange men for liaisons and then attacking them with murderous intent.





Inspector Jolly Goodman (Ashok Kumar) as canny a sleuth as one could imagine, is rapidly on to the case and discovers
that the increasing tally of murders seem to be related. Meanwhile Dr. Kailash appears far more interested in wooing
Harsha's beautiful sister rather than treating the child as he sings ponderous love songs to her while his patient lies
foaming and frothing at the mouth. Ultimately science and modern techniques prove worthless and Harsha's family have to
resort to the mighty powers of the Tantrik who must endanger his own life in order to save the child and drive out
Pannalal's horrendous demonic spirit.



There are some spectacular special effects along the way as we are shown Harsha in all sorts of terrible states of
possession. She speaks in all sorts of strange, maniacal voices and has the ability of assuming any persons voice. The
twitching fits are spectacularly staged but perhaps the most astounding effect of all, other than the puking is the bit
when Harsha levitates and end ups up walking upside down on the ceiling like Lionel Richie did in the video of Dancing
on the Ceiling. However, having put up much stiff resistance to the mystifying antics of the tantrik baba, Panalal's
priyatatma (spirit) finally breaks down in the face of an endless Bhajan and the threat of a fourth holy lemon being
exploded in his direction.



The message of the film is the age old one of traditional methods and values being undermined by modern science, thought
and technology and the doom that this spells. In this scenario we have the home made traditional methods of the tantrik
and the old fashioned wisdom of the grand parents being rejected by the English speaking city folk who have neither time
to visit the mandir nor any spiritual belief. The degree carrying, jacket and tie wearing foreign educated psychiatrist
who mocks the methods of tradition finds himself hopelessly impotent in front of the dark forces of evil.



Baby Pinky is superb in the central role of the tortured child. Her eye rolling movements and especially her phenomenal
twitching spells have rightfully won her worldwide acclaim. Reena Roy is her reliable self and looks suitably coy during
the laborious romantic scenes. Feroz Khan is quite magnificent as the suave Dr. Kailash and Ashok Kumar lends admirable
support as the quirky but insightful inspector Jolly Goodman.



Not as cheesy as the Ramsay's productions due to its superior star cast of seasoned pro's rather than the usual nobody's
and reasonable production values. The music director does fairly well to infuse a sense of terror and some of the camera
angles and lighting tricks are fairly effective if rather over used. The film major drawback is that it is slowed down
by the injection of the romantic subplot as well as some pathetic attempts at comedy which take the film off track. But,
on the whole, this desi Exorcist is a reasonably commendable effort. The film ends with the terribly profound statement
"…So there is no end to the unfolding mysteries of nature. God Knows how long men will take to explain so
many things yet unexplained." Indeed.

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